TEATRO VISTA PRODUCTIONS
PRESENTS THE WORLD PREMIERE OF
BY PALOMA NOZICKA
DIRECTED BY GEORGETTE VERDIN
CO-PRESENTED WITH
STEPPENWOLF THEATRE COMPANY
“All happy families are all alike; every unhappy family is unhappy in its own way.”
-Anna Karenina, Leo Tolstoy
“All happy families are all alike; every unhappy family is unhappy in its own way.”
-Anna Karenina, Leo Tolstoy
TEATRO VISTA PRODUCTIONS
PRESENTS THE WORLD PREMIERE OF
BY PALOMA NOZICKA
DIRECTED BY GEORGETTE VERDIN
CO-PRESENTED WITH STEPPENWOLF THEATRE COMPANY
Xochi has it all: a perfect boyfriend, a baby on the way, a family that hates her...wait, no, not that last one. After the devastating loss of her twin brother Sebastian, Xochi tries to navigate her life (and keep her sanity) without her best friend. But then the impossible happens: Sebastian reappears…or does he?
BOTH is an eerie examination of family, love, memory, and which version of the truth is the one worth believing.
EXTENDED THROUGH MAY 24TH!
BOTH was developed by and received its world premiere at Teatro Vista Productions, Chicago, IL - Lorena Diaz, Executive Director + Wendy Mateo, Artistic Director - in April 2026.
BOTH was originally developed in the Writers’ Room at Geffen Playhouse and developed by the Cape Cod Theatre Project, Hal Brooks, Artistic Director.
ARTISTIC DIRECTOR’S NOTE
BOTH is a gritty, character-driven look into complicated family dynamics and chosen truths. Great family dramas are a signature of the Steppenwolf brand. To provide our artists with this stage, in the birthplace of ensemble theater in Chicago, is a dream come true. This synchronicity is a moment of profound pride for our theater. As we celebrate our 35th year, we continue to lean into the idea of radical abundance. And with the support of Steppenwolf Theatre Company, we get to do just that.
Pa’lante, Juntos. Forward, Together.
Teatro Vista Productions believes artists of color are inherently genius across disciplines, experiences, media and diaspora. We center our collective of artists at the heart of everything we do. We empower them to create with their own voice by providing the tools and resources they need to thrive. Our work is timely, relevant and reflects our community. Now, as always, We Are Theater With A View.
When the Chicago theater world wasn’t ready for us, Teatro Vista Productions made space. For 35 years, we’ve told true stories that reflect our community. We’re not just building on this amazing legacy; we are strengthening and expanding it for the future. Today we continue to actively engage in advocacy that seeks to increase the authentic representations of us on stage and screen.
- Wendy Mateo, Artistic Director of Teatro Vista Productions
BOTH is a play about trying your hardest but still falling short. It is about grief. It is about family. It is about that nagging feeling that because something good has happened, it must be followed by something bad. It's about people who are truthful to a fault, although it's only other people who think it's a fault, never the person who is truthful. It was inspired by the pandemic, and by Antigone, and by all of the scary stories that I've loved since I was very young-- and the fact that those stories never featured Latine characters. It is about gray areas. It is about memory. It is about what could have been. It is about what we can accept. Mostly, it is about love, in all of its weird, unflattering, heartbreaking forms.
BOTH is my second full-length play, and something I've learned about myself as I continue to further my career as a writer is that I don't really know how to talk about my writing (I tend to err towards David Lynch's thoughts on discussing your work: "The film is the talking"). That being said, I'll try to define what this play is to me, scattershot as that definition may be.
FROM THE PLAYWRIGHT
Speaking of love, I’m sending you a lot of it. I hope you enjoy our play. Thank you for being here.
-Paloma Nozicka, Playwright
THE DIRECTOR
Georgette Verdin (she/her) is a queer, Cuban-American director based in Chicago who is passionate about creating visceral theatrical experiences that elicit radical empathy and help marginalized women gain visibility. Her work often explores identity, grief, unprocessed trauma, and the intimate lives of women. From 2015 until 2023, she served as Managing Artistic Director of Interrobang Theatre Project, an award-winning storefront theatre known for its gutsy productions that tackle socially-relevant, and often, morally ambiguous subject matter. As of the spring of 2023, she was welcomed onto the Northlight Theatre staff as Associate Artistic Director. Georgette was profiled as one of 50 artists in NewCity Magazine’s 2023 edition “Players: Who Really Performs for Chicago Right Now.” She was also named in Chicago Reader’s 2022 Best of Chicago as “Best Local Stage Director Ready for the Next Big Steps.” In 2022, she was named the Michael Maggio Directing Fellow at Goodman Theatre, where she was able to direct as part of the one-night event “#ENOUGH, Plays to End Gun Violence.” During her tenure she also served as Associate Director on Anton Chekhov’s THE CHERRY ORCHARD, directed by Robert Falls, Assistant Director on CLYDE’S by Lynn Nottage, directed by Kate Whorisky, and as Associate Director to Kimberly Senior for the New Stages Festival production of THIS HAPPENED ONCE AT THE ROMANCE DEPOT OFF THE 1-87 IN WESTCHESTER by Gina Femia.
Georgette was recently nominated for three Joseph Jefferson Awards for Director of a Play (Midsize) for the world premiere of ENOUGH TO LET THE LIGHT IN (Teatro Vista), the Chicago premiere of THIS WIDE NIGHT (Shattered Globe/Interrobang Theatre Project) and the world premiere of SPAY (Rivendell Theatre). Georgette holds a Bachelor of Arts in Theatre Performance from McNeese State University in Lake Charles, LA and a Master in Directing from the Chicago College of Performing Arts at Roosevelt University. She was a 2021 recipient of a 3Arts Make-A-Wave grant and is an associate member of Stage Directors and Choreographers Society.
In these micro short films, PREQUELS to the events that will unfold on stage, we meet the characters of BOTH through these intimate close ups that reveal the one thing they all have in common: XOCHI.
DID YOU SEE THOSE PREQUELS!?
BOTH IS A HIT!
Review: The new family drama ‘BOTH’ is a thriller of the best kind - Chicago Tribune
“The triumphant world premiere of “BOTH” is a testament to the magic that can happen when Chicago’s theater industry shepherds new work by local artists through the entire development process.”
Teatro Vista at Steppenwolf presents Family Drama BOTH - Chicago Stage and Screen
"This is the kind of theatre that makes Chicago an epicenter of the art form."
Teatro Vista and Steppenwolf’s BOTH Twists Family Truths Into a Slow‑Burn Thriller - Buzz Center Stage
“What truly makes this piece work though is the intricate, flesh-out performances from the entire ensemble. Their complexity makes them feel tangible, perhaps even evoking one’s only family members.”
There are more than two sides to every story in BOTH - Chicago Theatre Review
“A sly, creepy and thoroughly entertaining take on grief, belonging, human connection, and truth.”
Review: Teatro Vista Productions' BOTH at Steppenwolf Theatre - Broadway World
“Through poetic language and unexpected twists, Both explores family, loss, love, and the fragile nature of truth.”
Both gives a chilling spin to a family drama - Chicago Reader
“Both makes us question our assumptions about how families deal with profound tragedy, and what stories we tell ourselves in order to keep living through loss.”
Review: Teatro Vista’s Both Grapples With Twin Realities, Twin Fantasies - Third Coast Review
“Both makes us question our assumptions about how families deal with profound tragedy, and what stories we tell ourselves in order to keep living through loss.”
THE CAST
Charín Álvarez’s^* (Angela) Teatro Vista Productions credits include “¡Bernarda!”, "In The Time of the Butterflies”, “Our Lady of the Underpass”, “I Put the Fear of Mexico en ‘Em”, “Dreamlandia”, and “Another Part of the House.” Other Chicago theatre credits include “a home what howls (or the house what was ravine)”, “I Am Not Your Perfect Mexican Daughter”, “La Ruta” , “ Infidel”, “Ordinary Yearning”, and “Fermi” at Steppenwolf Theatre; “Lettie”, “Mojada”, “Oedipus El Rey”, “Anna In The Tropics”, “A Park In The House” at Victory Gardens Theatre; “The Scene” at Writer’s Theatre; “Inherit The Wind”, “2666”, “Pedro Paramo”, “El Nogalar”, “Dollhouse” & “Electricidad” at Goodman Theatre; “Anna In The Tropics”, “Passage”, “Skin Of Our Teeth” & “Clean House” at Remy Bumppo; “Water By The Spoonful” at Court Theatre; “Work Of Art” at Chicago Dramatist Theatre; “What We Once Felt” at About Face Theatre; “Kita & Fernanda” at 16th Street Theatre; “Esperanza Rising” at Chicago Children’s Theatre; “Two Sisters And A Piano” at Apple Tree Theatre; “Generic Latina” at Teatro Luna; “La Casa De Bernarda Alba” at Aguijón Theatre. Film/TV credits include “Somebody Somewhere”, “Paper Girls”, “Ripple Effects”, “Chicago Med”, “Easy”, “Shameless”, “Chicago Fire”, “Mob Doctor”, “Boss”, “Chicago Code”, “Approach Alone”, “Rooftop Wars”, “Arc of a Bird”, “Were the World Mine”, “Chicago Overcoat”, “First and Only Lesson”, “Dogwalker”, “Rogers Park”, “Olympia: Manual on How to Live Your Life”, “Signature Move”, “En Algun Lugar”, “Princess Cyd”, “Single File”, “Teacher”, “Hala”, “Saint Frances” , “The Rounding“, “Heartsong”, “Museum”, “Last Drop” “Single Car Crashes”, “Adult Children”, “Ghostlight”, “Ask a Punk”, and “Kombucha”. She is a member of Teatro Vista Production’s Artistic Collective.
ANGELA
Brian King’s (Sam) Chicago stage credits include TimeLine Theatre's "Hundreds and Hundreds Of Stars," Steppenwolf Theatre’s "Fair Use," "The North Plan," and "The Drunken City." He was recently seen on-screen in HBO’s "Somebody Somewhere," NBC’s "The Irrational," and Showtime’s "The Chi." Other TV credits include "Chicago Fire," "Chicago Med," "Boss," "Leverage," "Empire," "Detroit 1-8-7," "Crisis," "Mob Doctor," and "Prison Break." His most recent film credits include "Candyman," "Widows," "Man of Steel," "Seneca," and "A Light Beneath Their Feet."
SAM
Eddie Martinez^* (Juan) was previously seen in “Parachute Men”, “Fade”, and “Hope” at Teatro Vista Productions. Other Chicago credits include “I Am Not Your Perfect Mexican Daughter” and “Our Lady of 121st Street” at Steppenwolf; “Big Lake Big City”, “Cascabel”, “Circus Quixote” at Lookingglass; “Rightlynd” at Victory Gardens; “Bull” at Paramount; and “Ugly Lies The Bone” at Shattered Globe. Regional credits include “Native Gardens” at the Old Globe; “Fade” at Denver Center, Cherry Lane, and Theater Works Hartford; and “As You Like It” at Denver Center. His on-screen credits include “Sense8” (Netflix), “Sirens” (USA), “Chicago Fire” (NBC), “Shameless” (Showtime), “Justified: Primeval” (FX), and "The Dilemma” (Universal). He is a member of Teatro Vista Production’s Artistic Collective and Actors’ Equity Association.
JUAN
Ayssette Muñoz^ (Cynthia) is a Mexican-American actor/director from the Rio Grande Valley. Favorite acting credits have included Teatro Vista Productions, Goodman Theatre, Steppenwolf, Chicago Shakespeare Theatre, Lookingglass, Rivendell Theatre, A Red Orchid Theatre, and Definition Theatre. On-camera credits include “The Bear”, “Chicago Med”, and “Chicago P.D”. Associate directing credits include “Arthur & Friends Make a Musical” at Marriott Theatre, “An Educated Guess” at Definition Theatre (Jeff Recommended), “Somewhere Over the Border” at Teatro Vista (Jeff Recommended - Winner of Best Director, Best Ensemble, and Best Production of a Musical.) In 2015, the Chicago Tribune featured her as one of the “Top 10 Hot New Faces of Chicago Theatre'' and in 2019, she was nominated for "Outstanding Supporting Actor in a Play" from the Alliance of Latinx Theatre Artists of Chicago. She is a proud teaching artist at Steppenwolf Theatre and an Artistic Collective Member at Teatro Vista Productions and represented by Big Mouth Talent. www.ayssettemunoz.com
CYNTHIA
Paloma Nozicka^ (Xochi) is thrilled to make her Teatro Vista Productions debut. Chicago theatre credits include “The Thanksgiving Play” at Steppenwolf Theatre Company; “Teddy Ferrara” at Goodman Theatre; “Native Gardens” at Victory Gardens Theatre; “Bobby Clearly” at Steep Theatre; “The Harvest” at Griffin Theatre; “In the Canyon”, “The Light Fantastic”, “Exit Strategy”, and “Long Way Go Down” at Jackalope Theatre Company. Regional credits include “Citizen Detective" at Geffen Playhouse and "Boeing Boeing" at TheatreSquared. Television credits include “The Irrational”, “Chicago Med”, “Proven Innocent”, “Chicago PD”, “The Red Line”, and “Empire”. Nozicka was a 2023 Jeff Awards nominee for "Best New Work" for her play, “Enough to Let the Light In.” She is a member of Teatro Vista Production’s Artistic Collective, a Jackalope Theatre Company member, and a proud member of SAG-AFTRA.
XOCHI
Yona Moises Olivares’ (Sebastian) credits include “Mucho Ado About Nothing” at Chicago Shakespeare Theater; “Sanctuary City” at Steppenwolf Theatre Company; “Gender Play, Or What You Will” at About Face Theatre; “Anna in the Tropics” at Remy Bumppo; “Same Sects” at Haven Chicago; and “When Harry Met Rehab” at Greenhouse Theater. Regional credits include “Anna in the Tropics” and “The Winter’s Tale” at American Player’s Theatre; “How To Defend Yourself”, “We’ve Come To Believe”, “A Christmas Carol”, and “Dracula” at Actors Theatre of Louisville. They received their degree from University of North Carolina at Chapel Hill.
SEBASTIAN
THE COVER CAST
Aaron Barker (Sam Cover) is very excited to make his Teatro Vista Productions debut. Past credits include "All Shook Up" at Idaho Rep, "If I Had" (World Premiere) at Montana Rep, and "Blue Man Group" at Astor Place Theatre. Film/TV includes “Chicago Fire”, “Chicago PD”, “Chicago Med”, “HOA”, and “Divergent”. After receiving his BFA degree from the University of Montana, he explored the country picking up theatre and night shows before finding his home in Chicago.
SAM
Tatiana Bustamante (Cynthia Cover) is hyped to make her TVP debut! Chicago credits include "A Christmas Carol" at Goodman Theatre; "A Streetcar Named Desire" at Paramount Theatre; "Fen" at Court Theatre; "A Christmas Carol" at Drury Lane; "Gypsy" at Porchlight Music Theatre; "Refuge" at Theo Ubique; "Fefu and Her Friends" at Snails on a Bike; and "National Merit" at BoHo Theatre; "Lizzie" at Firebrand Theatre. They hold a B.F.A. from the Chicago College of Performing Arts and an M.A. from the University of Miami. Tatiana also works as a freelance Intimacy Director in the Chicagoland area, and she is currently the Executive Assistant at Teatro Vista Productions. Tatiana is proudly represented by Gray Talent Group. On social media at @tatibustama.
CYNTHIA
Lorena Diaz (Angela Cover) is a Chicago- based artist. Lorena is the Executive Director of Teatro Vista Productions and is grateful to be understudying the captivating Charin Alvarez in “Both”. If she feels familiar to you, it might be because you've seen her alter ego on NBC's “Chicago Med” where she has "Big Doris Energy" as Charge Nurse Doris Perez. Nurse Doris has been with the Dick Wolf Franchise for more than a decade. "I feel my most complete when watching artists at work. To observe is to learn, to replicate is to hone. I am in incredible company."
ANGELA
Leonel Garza (Juan Cover) is a Chicagoland native with deep roots in the Southwest and northern Mexico. He is known for his dynamic presence in Latine and racially ambiguous roles, portraying everything from the humble working man to edgy, off-beat authority figures. Recent screen credits include “Chicago P.D”. as Ivan Alvarez, “Mexican Delight” as Rodrigo, and appearances in “This Fool”, “Primo”, and “The Absence of Eden”. A fluent Spanish speaker and fully bilingual, Garza brings authenticity, nuance, and depth to every role, drawing from his bi-cultural background and years of experience in theatre, voice-over, and education.
JUAN
El Río (Sebastian Cover) is an actor, comedian, and photographer from Chicago, IL. He’s been performing for ten years, annoying his mama for well over 30 years, and spends most of his days moonlighting as a server. He loves to wear fake glasses, crazy patterns, and recently got rid of his mullet. On social media at @el.rio.deal.
SEBASTIAN
Amelia Roque (Xochi Cover) is a second generation Mexican-American theatre maker, dancer and writer. She is thrilled to not only be a part of the team but the creative scene at large here in Chicago. Some of her acting credits include “Clusterf*ck” (Eclectic Theatre Company); “Sunflower” (Theatre Contronym); and “ARCANA: The Fools Errand” (Front Porch Oracles). She moved to Chicago in 2020 shortly after receiving her BFA. Amelia believes in cultivating a human-first and trauma-informed approach to all facets of her artistry. Her hope is to share stories and experiences centered in joy and lead to liberation for us all. On social media at IG: @_ameliaroque_.
XOCHI
Janyce Caraballo’s (Assistant Director) previous Teatro Vista Productions include Hope: Part 2 of a Mexican Trilogy and Romeo and Juliet. Select acting credits include Gaslight, Little Women, and Georgiana and Kitty: Christmas at Pemberley at Northlight; Christmas Carol at Drury Lane; Rome Sweet Rome and Shakespeare in the Parks at Chicago Shakespeare Theatre; Seussical at Marriott; Suddenly, Last Summer at Raven Theatre; The Full Monty at Theo Ubique. Other regional Credits include Door Shakespeare, Peninsula Players, Indiana Rep, American Players, First Folio, TheatreSquared. She holds directing credits with Citadel Theatre and Chicago High School for the Arts as well as stage readings at Urban Theater Company, American Blues Theater, and The International Voices Project. Other regional Credits include Door Shakespeare, Peninsula Players, Indiana Rep, American Players, First Folio, TheatreSquared. She holds a MFA from The Theatre School at DePaul University. She's a member of Actors Equity Association and SAG-AFTRA. www.janyce-caraballo.com
THE CREATIVE TEAM
Greg Geffrad’s (Intimacy and Violence Coordinator) precious Chicago credits include The Brief Wondrous Life of Oscar Wao, Revolution(s), The Color Purple, and The Nacirema Society at Goodman Theatre; Two Sisters and A Piano, Hot Wing King, and The Band's Visit at Writer’s Theatre; Sanctuary City and Choir Boy at Steppenwolf Theatre; Eureka Day at Timeline Theatre; The House That Will Not Stand at Invictus; The Mountaintop at Beverly Arts Center; Beneath The Willow Tree at Pulse Theatre; The Factotum at Lyric Opera; Comedy of Errors at Chicago Shakespeare; Fen at Court Theatre. Regional credits include Piano Lesson at Milwaukee Rep; Fremont Avenue at Arena Stage; Strange Loop, K-I-S-S-I-N-G, and Joe Turner's Come & Gone Huntington Theatre; and Fairview at Theatre Cedar Rapids.
Sotirios Livaditis+ (Scenic Designer) is returning to Teatro Vista Productions where he previously designed the world premiere of Enough to Let the Light In. Recent Chicago projects include Jekyll and Hyde at Kokandy Productions; Twisted Melodies and Louisa May Alcott’s Little Women at Northlight Theatre; Girls and Boys at Griffin Theatre; A Slow Air at Steep Theatre; and The Cave A Red Orchid Theatre. He made his Broadway debut last season as the associate set designer on Purpose and Eureka Day – Both of which won the 2025 Tony Award for Best New Play and Best Revival of a Play. Additional Regional Credits include Primary Trust at Repertory Theatre of Saint Louis). He earned his MFA from Northwestern University. On social media at @sotirios.livaditis. www.sotiriosdesigns.com.
Johan H. Gallardo^ (Costume Designer) is a Chicago-based Costume Artist and Administrator. Chicago costume design credits include Theatre Wit, Teatro Vista, Chicago Children’s Theatre, University of Chicago TAPS, and A Red Orchid Theatre. Associate credits include Steppenwolf Theatre, Teatro Vista, and Timeline Theatre. They are a member of Teatro Vista Productions Artistic Collective, and Associate Costume Director at Steppenwolf Theatre Company. They received their BFA in Theatre Costume and Technology from the University of Central Florida. www. Johanhgallardo.com.
Katherin (Kat) Poon (Associate Costume Designer)
Maximo Grano De Oro+ (Lighting Designer) is a lighting designer for theater, opera and dance originally from New Jersey. Recent Chicago credits include: The Brief Wondrous Life of Oscar Wao at Goodman Theatre; The Taming of the Shrew and A Raisin in the Sun at Court Theatre; Translations at Writers Theatre; Hedda Gabler and Dear Elizabeth at Remy Bumppo; Selling Kabul at Northlight Theater. Regional credits include: The Life You Gave Me at Boise Contemporary Theatre; Prelude to a Kiss, a Musical at Milwaukee Rep; Far Away at Villanova Theatre; The Winter's Tale, Macbeth, Much Ado about Nothing, and The Tempest at Commonwealth Shakespeare Company. He received his BFA in Lighting Design from Rutgers Mason Gross and his MFA from Northwestern University and is a full-time faculty member at Columbia College Chicago.On social media at @max.gdo_ld. www. maximolightingdesign.com.
Satya Chávez (Sound Designer) is an award-winning sound designer and composer whose work has been produced nationwide. Teatro Vista Production credits include Memorabilia and ¡Bernarda!. Additional sound design and original score credits include The Brief Wondrous Life of Oscar Wao at Goodman Theatre, Aquí O Alla at The Actors Gymnasium, Corduroy at Chicago Shakespeare Theater, Black Bone at Definition Theatre, One Party Consent at First Floor Theater, The American Project at Albany Park Theatre Project,, and Where Did We Sit on the Bus? (Denver Center for the Performing Arts, Kravis Center, Cleveland Playhouse, Steppenwolf, and more). Commissioning Institutions include Goodman Theatre, Curious Theatre, TheatreSquared, Seattle Children’s Theater, Denver Center and Actors Theatre of Louisville. www. satyachavez.org.
Shokie Tseumah (Properties Designer)
Adelina Feldman-Schultz^ (Casting Director)
Julie Jachym’s* (Production Stage Manager) Teatro Vista Productions credits include Memorabilia, La Havana Madrid, Bernarda!, The Dream King, Enough to Let the Light In, and Somewhere Over the Border; Chicago Credits include Paranormal Activity, Sunny Afternoon, Jaja’s African Hair Braiding, Henry V, and The Lord of the Rings: A Musical Tale at Chicago Shakespeare Theater; Prayer for the French Republic, 2 Pianos 4 Hands, Selling Kabul, and Dial M For Murder at Northlight Theatre; Frida… A Self Portrait, Every Brilliant Thing, Hot Wing King, Athena, Wife of a Salesman, and Dishwasher Dreams at Writer’s Theatre; Another Marriage, Chlorine Sky, Bald Sisters, The Most Spectacularly Lamentable Trial of Miz Martha Washington, Choir Boy, and Seagull at Steppenwolf Theatre; How I Learned What I Learned and Welcome to Matteson at Congo Square Theatre; Judy’s Life’s Work, Fairview, ALAIYO, and WHITE at Definition Theatre; A Christmas Carol at Goodman Theatre. Julie is a proud member of Actors Equity. www. juliejachym.com.
Olivia Ellery (Assistant Stage Manager)
Estrellita Beatriz (Production Manager), who uses the pronouns starr, e, bea, or anything non-gendered offered gingerly, is a poly-disciplinary artist. e started stage managing storefront theatres in Albuquerque, New Mexico, as a junior in high school. Since then, starr has facilitated over 200 theatrical productions as production manager, stage manager, designer, educator, producer, intimacy coordinator, writer and fellow at theatres across the nation, including Teatro Vista, Baltimore Center Stage, Congo Square, The Kennedy Center, Woolly Mammoth Theatre, Steppenwolf Theatre Company, New Orleans Shakespeare Company, Actor Theatre of Louisville and Tricklock Theatre Company.
Matthew Chapman (1700 Production Supervisor)
Axel Adams (Technical Director)
Nora Sammons (Wardrobe Supervisor)
Eddie Martinez (Fight Captain)
Kara Davidson and Patrick Zakem (1700 Theater Producers)
^Denotes Teatro Vista Production’s Artistic Collective member.
*Denotes member of Actors’ Equity Association, the union of professional actors and stage managers.
+Denotes member of United Scenic Artists, Local 829 of the IATSE.
WITH SPECIAL THANKS TO
TVP CHAMPIONS
Purple Group
Gustavo Bamberger & Martha Van Haitsma
IN-KIND SPONSORS
PARTNERS
The Understudy Coffee and Books, Gus Menary, Max Arciniega, Nate Santana, Sandra Delgado, Karla Serrato, Erik Hellman, Ivan Vega, Glenn Davis, Audrey Francis, Brooke Flanagan and the entire staff at Steppenwolf Theatre Company.
OUR BOARD OF DIRECTORS
Carina E. Sanchez, Board President
Julieta LaMalfa, Treasurer
Jorge Lopez, Secretary
Carlos Candia
Adela Cepeda
Rosa Escareño
Letticia Flores Poole
Laritza Lopez
Kareem Mohamednur
Alice Morado
Irma A. Ortiz
Adrian Rodriguez
Eddie Torres, TVP Founder
OUR ARTISTIC COLLECTIVE
Charín Alvarez
Max Arciniega
Conchita Avitia
Cheryl Lynn Bruce
Ramon Camín
Jean Claudio
Lauri Dahl
Sandra Delgado
Melissa DuPrey
Adelina Feldman-Schultz
Johan Gallardo
Lonnae Hickman
Jon Lyon
Sonya Madrigal
Sandra Marquez
Eddie Martinez
Ayssette Muñoz
Paloma Nozicka
Claudia Quesada
Marvin Quijada
Tommy Rivera-Vega
Gabriel Ruiz
Nate Santana
Denise Yvette Serna
Karla Serrato
Eddie Torres
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