SEPTEMBER 10 - OCTOBER 16, 2016
RICHARD CHRISTIANSEN THEATRE AT THE BIOGRAPH
PARACHUTE MEN (WORLD PREMIERE)
Written by Mando Alvarado
Directed by Executive Artistic Director Ricardo Gutiérrez
Featuring Ensemble Member Tommy Rivera-Vega
“Parachute Men” is an unconventional and quirky comedy about three brothers who suck at being brothers, suck at love and suck at being men. The siblings are reunited when one of them returns home on the anniversary of their mother’s passing. Now it’s clear that the pecking order has changed and the battle begins to see who can take that baby step into manhood first.
MANDO ALVARADO (PLAYWRIGHT) is an award-winning playwright/screenwriter from South Texas. His play Basilica premiered Off-Broadway at the famous Cherry Lane Theater in NYC. His play Post No Bills received its Off-Broadway premiere at Rattlestick Playwright's Theater. His new play, Diablo Love, had its world premiere at Central Park's Summer Stages, which also produced Alvarado’s A King of Infinite Space, a Hamlet/Pearl Jam mash-up and Sangre, an adaptation of Blood Wedding. He also co-wrote the book for the bilingual musical A Yellow Brick Road, an adaptation of Wizard of Oz for Theaterworks USA which received its critically acclaimed Off-Broadway premiere at The Lortel. His short play, Up the 405, premiered as a part of LA Views for Company of Angels in Los Angeles. He is a contributing writer for Theater 167’s You Are Now the Owner of This Suitcase. He also participated in the Freight Project where he developed his play On the 5:31 which was commissioned for Rising Phoenix Rep's Cino Nights at the Seventh Street Small Stage. His first feature film, Cruzando, which he co-wrote and co-directed with Michael Ray Escamilla is available on DVD and was distributed by Vanguard Cinema. He is a member of Rising Phoenix Rep, alum of INTAR’s Hispanic-Playwright-in-Residence Laboratory 2006 – 2008, and a graduate of The University of North Carolina School of the Arts. He worked on Tyrant for FX and is currently working on Greenleaf for the OWN Network.
RICARDO GUTIÉRREZ (DIRECTOR) is the Executive Artistic Director of Teatro Vista where he recently directed In The Time of the Butterflies. Other Teatro Vista directing credits include Between You, Me and The Lampshade, A View From The Bridge, Momma’s Boyz, i put the fear of mexico in’em, and La mágica posada. Gutiérrez served as the artistic director of Nosotros in Los Angeles and The Canterbury Theatre in Indiana. He is the co-founder of the Alliance of Latino Theatre Artists Chicago (ALTAchicago) a service organization dedicated to promoting and fostering Latino/a theatre artists in Chicago. As an actor, Gutiérrez most recently appeared in In The Heights at The Paramount and in the world premieres of Song For The Disappeared and Fish Men at The Goodman. Later this year he will be appearing in Destiny of Desire at South Coast Repertory and at the Goodman Theatre. Gutiérrez has appeared on stage at the Actors Theatre in Louisville, The Denver Center Theatre, Steppenwolf Theatre, Victory Gardens and Lookingglass Theatre. Recent television credits include Chicago PD, Sirens and Boss.
"Parachute Men" is the inaugural production of the
Latina/o Theatre Commons El Fuego Initiative
JANUARY 28 - MARCH 5, 2017
RICHARD CHRISTIANSEN THEATRE AT THE BIOGRAPH
THE WOLF AT THE END OF THE BLOCK (world premiere)
A TEATRO VISTA COMMISSION
Written by Ike Holter
Featuring Ensemble Members Sandra Márquez and Gabe Ruíz
Chicago. Fall. One night, a boarded up bar on the dark side of the block becomes a terrifying crime scene. In the following 48 hours, the neighborhood digs deep into escalating mystery, working against time to separate fact from fiction. But as the clock ticks down, the clues spiral into a razor sharp jigsaw, and what began as a simple mystery quickly twists into a personal, pointed and political thriller. The Wolf at The End of The Block is a full-length play with five characters, three of which are Latino. The play explores the issues of racial profiling, media manipulation and family relationships. Highly charged, Holter’s story is brutally raw, funny and deftly pierces universal truths.
IKE HOLTER'S (PLAYWRIGHT) work has been produced at The Steppenwolf Garage, A Red Orchid, The New Colony and The Inconvenience, where he is a founding member and resident writer. He’s received fellowships and commissions from the Goodman Theater, the Kennedy Center and The Playwrights Center. His show Hit the Wall played at Steppenwolf Garage, Off-Broadway at The Barrow Street Theater in New York, and recently enjoyed and extended run at the Lily Tomlin Center in L.A. Jackalope Theatre premiered his new play Exit Strategy which played to sold-out houses and transferred to Michigan’s 3 Oaks Theater Festival. It is being produced at Philadelphia Stages and will transferred Off Broadway to Primary Stages last spring. His most recent play Sender was a smash hit for A Red Orchid earlier this season. Holter was named the “Chicagoan of the Year in Theater 2014″ by the Chicago Tribune, and his monologues have been published in The New Yorker and several editions of Applause Books. He was recently named one of Victory Gardens’ newest ensemble playwrights.
APRIL 14 - MAY 28, 2017
1700 THEATER (AT THE STEPPENWOLF)
1700 N. Halsted St.
JUNE 2 - JUNE 11, 2017
THE MIRACLE CENTER
2311 N. Pulaski, Chicago, IL 60639
Part of Teatro Vista, Teatro Vecino Series sponsored by The Chicago Community Trust
LA HAVANA MADRID (WORLD PREMIERE)
A Teatro Vista Commission
Joyce Award Winning Project
Written by Ensemble Member Sandra Delgado
Directed by Ensemble Member Cheryl Lynn Bruce
La Havana Madrid is an immersive documentary theatre experience inspired by the Latino Caribbean nightclub that once existed on the corner of Belmont and Sheffield. Audiences will be transported back to 1960s Chicago and experience the stories of the clubs patrons and musicians complete with a live band chronicling the history of Caribbean Latino music through the decade from mambo to the birth of salsa. Playwright Sandra Delgado and Teatro Vista were granted the prestigious Joyce Award to support the development of La Havana Madrid.
Sandra Delgado (playwright) is a Colombian-American actor, writer, and producer. Chicago acting credits include 2666, The Upstairs Concierge, Pedro Páramo (co-production with Cuba’s Teatro Buendía), Chicago Boys, Mariela in the Desert, Electricidad, Zoot Suit, A Christmas Carol, El Nogalar, and Massacre (Sing to Your Children) at The Goodman Theatre; The Motherf**ker with the Hat, The House on Mango Street, Sonia Flew, Words on Fire and Whispering City at Steppenwolf Theatre Company; Mojada and Anna in the Tropics at Victory Gardens Theater; Dreamlandia, Breakfast, Lunch and Dinner, and Two Sisters and a Piano (co-production with Apple Tree Theatre) with Teatro Vista; Guinea Pig Solo, Refuge and Casanova with Collaboraction; Summertime at Lookingglass Theatre Company; Undone at About Face Theatre and Esperanza Rising and If All the World Were Paper with Chicago Children’s Theatre. Off-Broadway credits include points of departure at INTAR Theatre. Regionally, she has appeared in Ground and Wit at Actors Theatre of Louisville and The Winter’s Tale at Missouri Repertory Theatre. TV credits include Empire, Chicago Fire, Law & Order: Special Victims Unit, Betrayal, Mind Games and the TV movie POWERS. Delgado is an ensemble member of Collaboraction and Teatro Vista and serves on the National Steering Committee for the Latina/o Theatre Commons, an advocacy group for Latino theater artists. She is a TCG Young Leader of Color Alum, a Chicago Department of Cultural Affairs and Special Events grantee and a 3Arts 3AP Project Grantee. She was the TCG Fox Actor Fellow in residence at the Goodman Theatre (2011-12) and was a member of their Playwright's Unit for the 2015-2016 season. sandradelgado.net
Cheryl Lynn Bruce (director) is a Teatro Vista ensemble member. She served as Assistant Director of the company’s productions of Tamer of Horses and A View From the Bridge. She has performed on stages across the country as well as in Europe and Mexico, and created the role of Elizabeth Sandry for Steppenwolf’s Tony Award-winning production of The Grapes of Wrath, adapted and directed by Frank Galati for Broadway’s Cort Theatre, Britain’s National Theatre and La Jolla Playhouse. Bruce also workshopped and premiered in RACE, Lookingglass Theatre’s inaugural production directed by David Schwimmer and Joy Gregory. Bruce received a 3Arts Award (2010), a 3Arts fellowship to supported a five-weeklong Rauschenberg residency (2015), a Jane Addams Hull House Association’s Woman of Valor Award (2010) and a Yale Research Residency (2011). She was awarded the 2002 African American Arts Alliance Black Excellence Award and Black Theatre Alliance Award for Outstanding Direction of Endesha Ida Mae Holland’s From The Mississippi Delta at Congo Square Theater. Other directing credits include Resurrection by Daniel Beaty and Drip by Gloria Bond Clunie at eta Creative Arts Foundation, Milkweed: A Solo Play by Misty De Berry for Columbia College at Links Hall and Northwestern University, Spunk by Zora Neale Hurston at University of Illinois at Chicago and Congo Square Theater, Cage Rhythm by Kia Korthron for University of Illinois at Chicago and Theatre School at DePaul University, and Permanent Collection by Thomas Gibbons for Indiana University Northwest. In 2006 she was an Inaugural Fellow of the Institute for the Study of Women and Gender in the Arts and Media at Columbia College. In 2007 Bruce traveled to Japan to study Bunraku puppetry for her staging of Rythm Mastr, Kerry James Marshall’s urban comic which premiered at the Wexner Center for the Arts.
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